About
Curtis McMurtry is a singer-songwriter, composer, and multi-instrumentalist from Austin, TX. Influenced by Fiona Apple, Billy Strayhorn and Tom Waits, Curtis' songs combine sinister lyrics with sophisticated orchestration. His latest album, The Pollen & The Rot released on May 31st 2024, and is the first of four forthcoming albums inspired by seasons (in this case, spring). Curtis' music has been featured on NPR's Weekend Edition, and his song "Wrong Inflection" was included in the soundtrack for comedian Tig Notaro's Amazon Prime series One Mississippi.
Curtis was born and raised in Austin, Texas and grew up surrounded by local musicians. He studied music composition and ethnomusicology in college, primarily writing contemporary chamber works for banjo and strings. After graduation, Curtis moved to Nashville to sharpen his songwriting by co-writing with elder statesmen including the legendary Guy Clark. He has since moved back to Austin where he performs as a trio with cellist Diana Burgess (of Mother Falcon) and upright bassist Taylor Turner. Curtis' goal in songwriting and composition has been to integrate the Classical and Jazz orchestration techniques he learned in college with the lyric-driven, Texas singer-songwriter style he absorbed growing up.
"Two things about McMurtry up front: Nobody in Austin is doing anything quite like his music right now, and his talent as a lyricist is well above the vast majority of young songwriters in town."
- Peter Blackstock, Austin360.com
"Delivered against the most sinister registers of cello and banjo, and often punctuated by muted horns and booming percussion, the songs evoke the feel of a near-future dystopian novel, a preparation for battle in something uncomfortably close to end times.”
- Stacy Chandler, No Depression
McMurtry deploys biting critique across the political spectrum, from would-be tyrants and sycophants ("Around My Neck," "Praise Caesar") to hollow-promising reformers and shallow resistors ("Food on the Table," "Lion on a Leash").
- Doug Freeman, Austin Chronicle
Photo by Megan Anderson